Schumann's Quintet in E-flat major for Piano, Two Violins, Viola, and Cello, Op. 44
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Composed in 1842, Schuman’s “year of chamber music”, the piano quintet is one of the most beloved pieces of the repertoire because of its unrestrained passion, technical brilliance, and melodic beauty. It was composed, of course, for his wife Clara.
Each lecture is supported by live performance excerpts from the featured work.
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Bruce Adolphe
Ken Noda
Richard Lin
Sean Lee
Nicholas Canellakis
Resident lecturer and director of family concerts for CMS since 1992, Bruce Adolphe is a composer of international renown, much of whose output addresses science, history, and the struggle for human rights.
Resident lecturer and director of family concerts for the Chamber Music Society of Lincoln Center since 1992, Bruce Adolphe is a composer of international renown, much of whose output addresses science, history, and the struggle for human rights. His works are frequently performed by major artists, including Itzhak Perlman, Yo-Yo Ma, Fabio Luisi, Joshua Bell, Daniel Hope, Angel Blue, the Brentano String Quartet, the Washington National Opera, the Metropolitan Opera Guild, the Human Rights Orchestra of Europe, and over 60 orchestras worldwide. Among his most performed works are the violin concerto I Will Not Remain Silent, the violin/piano duo Einstein’s Light, and Tyrannosaurus Sue: A Cretaceous Concerto.
Ken Noda is Musical Advisor to the Lindemann Young Artist Development Program at the Metropolitan Opera. After a 28-year tenure, he retired from his full-time Met position as a coach and teacher in July 2019. He is a guest coach at the Carnegie Hall/Weill Music Institute, the Verbier Festival in Switzerland, the Marlboro Music Festival, and the Chamber Music Society at Lincoln Center. From 2020 through 2023, he coached a Mozart/da Ponte opera cycle in Salzburg conducted by Sir András Schiff that will be repeated from 2026 through 2028 in Vicenza, Italy. He studied piano with Daniel Barenboim and in his first career as a piano soloist, played with the Berlin, Vienna, Israel, New York, and Los Angeles Philharmonics; the London, Boston, Chicago, San Francisco, Toronto, and Montreal Symphonies; as well as the Philharmonia Orchestra in London, the Cleveland Orchestra, and L’Orchestre de Paris under Abbado, Barenboim, Chailly, Kubelik, Leinsdorf, Levine, Mehta, Ozawa, and Previn. He has collaborated in chamber music with Itzhak Perlman, Pinchas Zukerman, Lynn Harrell, Nigel Kennedy, Cho-Liang Lin, and the Emerson String Quartet, and as vocal accompanist to Paul Appleby, Kathleen Battle, Hildegard Behrens, Maria Ewing, Ying Fang, Ryan Speedo Green, Kate Lindsey, Tamara Mumford, Aprile Millo, Erin Morley, Lisette Oropesa, Ailyn Pérez, James Morris, Kurt Moll, Jessye Norman, Matthew Polenzani, Morris Robinson, Russell Thomas, Dawn Upshaw, and Deborah Voigt.
Taiwanese-American violinist Richard Lin continues to gain international prominence since his Gold Medal prize at the 2018 International Violin Competition of Indianapolis. Following his June 2022 Carnegie Hall Stern Auditorium recital debut, New York Concert Review asserted, “Richard Lin. Remember the name. For he has everything required to take the world by storm.” He has collaborated with numerous orchestras and performed at celebrated concert venues throughout Asia, Europe, and the United States. He is a laureate of the Sendai, Joseph Joachim, Singapore, and Michael Hill International Violin competitions and has just joined the faculty of the National Taipei University of Education. He opened the 2022–23 season as soloist with the Chippewa Valley Symphony and Hong Kong Sinfonietta. He appeared in recitals in Indianapolis, Washington, DC, and Baton Rouge. Passionate about chamber music, he continues to perform with the Chamber Music Society of Lincoln Center, at many music festivals, and on tours of Asia. In the spring of 2023, he released a new album with pianist Thomas Hoppe on the Azica label featuring his Carnegie Hall program with works by Vitali, Richard Strauss, John Corigliano, and Frolov. Born in Phoenix, Arizona, and raised in Taiwan, Lin graduated from the Curtis Institute of Music and The Juilliard School, where he studied with Aaron Rosand and Lewis Kaplan, respectively.
Violinist Sean Lee has captured the attention of audiences around the world with his lively performances of the classics. A recipient of a 2016 Avery Fisher Career Grant, he is one of few violinists who dares to perform Niccolò Paganini’s 24 Caprices in concert, and his YouTube series, Paganini POV, continues to draw praise for its use of technology in sharing unique perspectives and insight into violin playing. He has performed as a soloist with orchestras including the San Francisco Symphony, Israel Camerata Jerusalem, and Orchestra del Teatro Carlo Felice, and his recital appearances have taken him to Vienna's Konzerthaus, Tel Aviv Museum of Art, and Carnegie Hall’s Weill Recital Hall. As a season artist at the Chamber Music Society of Lincoln Center and an alum of CMS’s Bowers Program, he continues to perform regularly at Lincoln Center and on tour. Originally from Los Angeles, Lee studied with Robert Lipsett of the Colburn Conservatory and legendary violinist Ruggiero Ricci before moving at the age of 17 to study at the Juilliard School with his longtime mentor, violinist Itzhak Perlman. Lee performs on violins made by Samuel Zygmuntowicz in 1995 and David Bague in 1999, with bows made circa 1890 by Joseph Arthur Vigneron and circa 1910 by W. E. Hill & Sons.
Nicholas Canellakis has become one of the most sought-after and innovative cellists of his generation, praised as a “superb young soloist” (New Yorker) and for being “impassioned . . . the audience seduced by Mr. Canellakis's rich, alluring tone” (New York Times). A multifaceted artist, Canellakis has forged a unique voice combining his talents as soloist, chamber musician, curator, filmmaker, and composer/arranger. His recent highlights include solo debuts with the Virginia, Albany, Bangor, Stamford, and Delaware symphony orchestras; concerto appearances with the Erie Philharmonic, the New Haven Symphony as artist-in-residence, and the American Symphony Orchestra in Carnegie Hall; Europe and Asia tours with the Chamber Music Society of Lincoln Center; and recitals throughout the United States with his longtime duo collaborator, pianist-composer Michael Stephen Brown. An alum of CMS’s Bowers Program, Canellakis is a regular guest artist at many of the world’s leading music festivals, including Santa Fe, Ravinia, Music@Menlo, Bard, Bridgehampton, La Jolla, Hong Kong, Moab, Music in the Vineyards, and Saratoga Springs. He is the Artistic Director of Chamber Music Sedona in Arizona and is a graduate of the Curtis Institute of Music and New England Conservatory. Filmmaking and acting are special interests of his; he has produced, directed, and starred in several short films and music videos. Canellakis plays on an outstanding Jean-Baptiste Vuillaume cello, circa 1840.