Brahms: Sextet No. 2 in G major for Two Violins, Two Violas, and Two Cellos, Op. 36
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The Schumann Quartett
Timothy Eddy
The Schumann Quartett has been acclaimed as “personal and profound” (BBC Music Magazine) and “one of the most exciting string quartets of the present day” (Fono Forum). Highlights of the 2026–2027 season include appearances in renowned venues such as Wigmore Hall London, the Concertgebouw Amsterdam, the Musikverein Vienna, Bozar Brussels, and the Laeiszhalle Hamburg. The quartet will also perform at the Tsinandali Festival with Lisa Batiashvili, the Cartagena Music Festival in Colombia, and the Ludwig van Beethoven Easter Festival in Warsaw. Their US tour in fall 2026 includes performances with CMS and at Stude Concert Hall in Houston, Texas, among others. Upcoming collaborators include artists such as Andreas Ottensamer, Kit Armstrong, Anna-Lucia Richter, Sabine Meyer, Katharina Konradi, Sharon Kam, and Alexey Stadler.
The quartet’s third album, Intermezzo (2018), featuring works by Felix Mendelssohn, Robert Schumann, and Aribert Reimann—and recorded in collaboration with soprano Anna-Lucia Richter—was praised nationally and internationally, and received the 2019 Opus Klassik Award in the category of Chamber Music Recording. In 2020, the ensemble expanded its discography with Fragment, a powerful exploration of the work of one of the great masters of the string quartet: Franz Schubert. To mark the 100th anniversary of radio broadcasting, the quartet undertook a unique project: in autumn 2023, they released an album entirely dedicated to the music of the year 1923. Created in collaboration with Bayerischer Rundfunk, the much-praised recording features works by Alban Berg, Leoš Janáček, Paul Hindemith, and Aaron Copland.
The three brothers, Mark, Erik and Ken Schumann, have been playing together since early childhood. They are joined by violist Matthew McDowell, who completes the quartet. The quartet’s formative influences include teachers such as Eberhard Feltz and the Alban Berg Quartet, and partners such as Menahem Pressler. From 2016 to 2019, the quartet took part in CMS’s Bowers Program.
Erik Schumann plays a violin by Domenico Montagnana, Venice, c. 1733, generously on loan from a private collection. Ken Schumann plays an Italian violin from the mid-18th century, kindly made available to him privately. Matthew McDowell’s viola was made for him by Frédéric Chaudière in 2025. Mark Schumann plays a cello by Giovanni and Francesco Grancino from 1680, generously loaned to him by Merito String Instruments Trust, Vienna.
Cellist Timothy Eddy has earned distinction as a recitalist, soloist with orchestra, chamber musician, recording artist, and teacher of cello and chamber music. He has performed with numerous symphonies, including Dallas, Colorado, Jacksonville, North Carolina, and Stamford. He has appeared at the Mostly Mozart, Ravinia, Aspen, Santa Fe, Marlboro, Lockenhaus, Spoleto, and Sarasota music festivals. He has won prizes in numerous national and international competitions, including the 1975 Gaspar Cassado International Violoncello Competition in Italy. Eddy is currently Professor of Cello at the Juilliard School and New York’s Mannes College of Music, and he was a frequent faculty member at the Isaac Stern Chamber Music Workshops at Carnegie Hall. A former member of the Galimir Quartet, the New York Philomusica, and the Bach Aria Group, he collaborates regularly in recital with pianist Gilbert Kalish. He has recorded a wide range of repertoire from Baroque to avant-garde for the Angel, Arabesque, Columbia, CRI, Delos, Musical Heritage, New World, Nonesuch, Vanguard, Vox, and Sony Classical labels. He performs on a 1728 Matteo Goffriller cello.
Recorded live in the Daniel and Joanna S. Rose Studio on December 1, 2016.
Video directed by Tristan Cook.